{"id":1343,"date":"2026-02-01T18:17:24","date_gmt":"2026-02-01T17:17:24","guid":{"rendered":"https:\/\/www.cazenobia.com\/the-villa\/"},"modified":"2026-04-11T15:05:18","modified_gmt":"2026-04-11T13:05:18","slug":"the-villa","status":"publish","type":"page","link":"https:\/\/www.cazenobia.com\/en\/","title":{"rendered":"THE VILLA"},"content":{"rendered":"

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Between Verona and Lake Garda, a villa rich in art and culture and a historic garden undergoing transformation according to the principles of sustainable soil management.<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”off|tablet” admin_label=”Menu” module_id=”thevilla” _builder_version=”4.27.6″ _module_preset=”default” background_color=”#032B35″ da_popup_slug=”lavilla” da_disable_devices=”off|off|off” collapsed=”on” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.6″ _module_preset=”default” max_width=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ saved_specialty_column_type=”1_2″ _builder_version=”4.24.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”_initial” header_font=”Shippori Mincho||||||||” header_3_font=”Shippori Mincho||||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”36px” header_3_line_height=”1.1em” custom_margin=”||10px||false|false” header_text_color_tablet=”” header_text_color_phone=”” header_text_color_last_edited=”on|tablet” header_font_size_tablet=”23px” header_font_size_phone=”” header_font_size_last_edited=”on|tablet” header_3_font_size_tablet=”33px” header_3_font_size_phone=”30px” header_3_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

The Villa<\/h3>\n

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Set on the hilltop of present-day Sommacampagna, the villa probably originates from a Romanesque structure, later transformed into a 16th-century hunting lodge. Once owned by the noble Zenobi family of Verona, from whom it takes its name, the estate was brought to its current form in the early 20th century through the vision of engineer and architect Ferdinando Forlati, who inherited the property from his mother\u2019s family. <\/p>\n

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The Frescoes<\/h3>\n

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The 16th-century frescoes by Paolo Farinati are the most significant artistic treasure preserved at Ca\u2019 Zenobia.<\/p>\n

In the grand first-floor hall, hunting scenes and animal motifs frame a fireplace whose design is also attributed to the artist.<\/p>\n

The corner room features scenes inspired by classical myths celebrating female virtues, set within an illusionistic colonnade opening onto pastoral landscapes.<\/p>\n

.<\/p>\n

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The Room of the Female Virtues<\/h3>\n

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The attribution of the frescoes to the Veronese painter Paolo Farinati is supported by an original preparatory drawing, now held in the collection of the British Crown, depicting the Vestal Claudia pulling the ship of the goddess Cybele up the Tiber, as told by Ovid. Another fresco, showing Nausicaa and her maidens discovering the shipwrecked Ulysses, is recorded in the Warburg Institute\u2019s database of Homeric iconography. <\/em> <\/p>\n

<\/o:p><\/p>\n

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The 1930s<\/h3>\n

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Several interiors, including the Sala Verde or Green Room, the Veranda, and the master bathroom, evoke the years when Ferdinando Forlati redesigned the villa\u2019s interiors.<\/p>\n

 <\/p>\n

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Rooms to discover<\/h3>\n

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At Ca\u2019 Zenobia, modern spaces alternate with rooms furnished with pieces from much earlier periods \u2014 all bearing witness to Ferdinando Forlati\u2019s great passion for \u201cbeautiful things,\u201d as he combined, without hesitation, different historical periods and even very diverse elements.<\/p>\n

The Salone, <\/em>with the imposing fireplace and hunting scenes, forms the focal point of the villa.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.cazenobia.com\/wp-content\/uploads\/2026\/03\/camino.jpg” title_text=”Fireplace” align_tablet=”center” align_phone=”center” align_last_edited=”on|tablet” _builder_version=”4.27.6″ _module_preset=”default” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”off|desktop” height=”500px” height_tablet=”500px” height_phone=”auto” height_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.5″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.cazenobia.com\/wp-content\/uploads\/2026\/03\/salone.jpg” title_text=”Salone” show_in_lightbox=”on” align=”center” _builder_version=”4.27.6″ _module_preset=”default” width=”100%” width_tablet=”100%” width_phone=”96%” width_last_edited=”off|desktop” module_alignment=”center” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”off|desktop” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.6″ _module_preset=”_initial” text_font=”Montserrat|300|||||||” text_text_color=”#474747″ text_font_size=”19px” min_height=”66.4px” custom_padding=”11px||8px|||” custom_padding_tablet=”11px||8px|||” custom_padding_phone=”18px||||false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”18px” text_font_size_phone=”17px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

The Sala Verde <\/em>or \u2018Green Room\u2018 offers a modern reinterpretation of the monastic refectory.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.cazenobia.com\/wp-content\/uploads\/2026\/02\/Bildschirmfoto-2025-12-22-um-18.15.01.jpg” title_text=”Foto -2025-12-22-um-18.15.01″ show_in_lightbox=”on” align=”center” _builder_version=”4.27.6″ _module_preset=”default” width=”100%” module_alignment=”center” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.6″ _module_preset=”default” background_color=”#BCAB91″ max_width=”100%” custom_margin=”||||false|false” custom_padding=”60px|10%|60px|10%|true|true” custom_padding_tablet=”||||false|true” custom_padding_phone=”||||false|true” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_font_size=”16px” width=”81.2%” min_height=”148.4px” custom_margin_tablet=”||||false|false” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”0px||0px|||” global_colors_info=”{}”]<\/p>\n

The Veranda with plaster casts of the zodiac signs, commissioned from a well-known sculptor in the 1930s, the originals of which are located in the ping pong room of the Royal Villa in Bolzano.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.cazenobia.com\/wp-content\/uploads\/2026\/02\/zodiaco-generale.jpg” title_text=”Zodiac signs 1930s” align=”center” _builder_version=”4.27.6″ _module_preset=”default” width=”100%” width_phone=”84%” width_last_edited=”off|desktop” custom_margin=”-3.2%||-3.2%||true|false” custom_margin_tablet=”0%||0%||false|true” custom_margin_phone=”0%||0%||false|true” custom_margin_last_edited=”on|tablet” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”off|tablet” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|tablet” disabled_on=”off|off|off” _builder_version=”4.27.6″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|phone” max_width=”100%” custom_padding=”60px|10%|60px|10%|true|true” custom_padding_tablet=”||||false|true” custom_padding_phone=”||||false|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”1920,1329,1281,1331,1848,1849,1328,1327,1340,1332,1850″ posts_number=”8″ orientation=”portrait” show_pagination=”off” zoom_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”RGBA(255,255,255,0)” module_class=”pa-image-gallery-9-16 ” _builder_version=”4.27.6″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_layout=”dark” min_height_tablet=”506px” min_height_phone=”263px” min_height_last_edited=”off|desktop” custom_padding=”0px|0px|0px|0px|true|true” link_option_url_new_window=”on” hover_enabled=”0″ global_colors_info=”{}” max_height__hover_enabled=”off|desktop” show_title_and_caption=”off” sticky_enabled=”0″][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Between Verona and Lake Garda, a villa rich in art and culture and a historic garden undergoing transformation according to the principles of sustainable soil management.The VillaSet on the hilltop of present-day Sommacampagna, the villa probably originates from a Romanesque structure, later transformed into a 16th-century hunting lodge. Once owned by the noble Zenobi family of Verona, from whom it takes its name, the estate was brought to its current form in the early 20th century through the vision of engineer and architect Ferdinando Forlati, who inherited the property from his mother\u2019s family. The FrescoesThe 16th-century frescoes by Paolo Farinati are the most significant artistic treasure preserved at Ca\u2019 Zenobia. In the grand first-floor hall, hunting scenes and animal motifs frame a fireplace whose design is also attributed to the artist. The corner room features scenes inspired by classical myths celebrating female virtues, set within an illusionistic colonnade opening onto pastoral landscapes. .The Room of the Female VirtuesThe attribution of the frescoes to the Veronese painter Paolo Farinati is supported by an original preparatory drawing, now held in the collection of the British Crown, depicting the Vestal Claudia pulling the ship of the goddess Cybele up the Tiber, as told […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1343","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/pages\/1343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/comments?post=1343"}],"version-history":[{"count":4,"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/pages\/1343\/revisions"}],"predecessor-version":[{"id":1923,"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/pages\/1343\/revisions\/1923"}],"wp:attachment":[{"href":"https:\/\/www.cazenobia.com\/en\/wp-json\/wp\/v2\/media?parent=1343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}